The
cinematic logic of immersive environments
Post production
Event holism
Cinematic Origins:-
L. Bunuel, The Exterminating Angel
As the guests arrive and ascend the staircase to deposit their overcoats
for the evening, two more servants attempt to escape, only to turn
back when the guests emerge from the room. Or do they? Curiously,
the entrance scene of the guests is repeated from a higher camera
angle, and this time, the servants successfully escape.
P. Greenaway, Belly of an Architect
Rose and orange light bathe the sensual settings. Some scenes seem
to be static pantomimes of famous interiors, recalling the Italian
Renaissance, Van Eyck, Vermeer, or David.
R. W. Fassbinder, Katzelmacher
Disjunctive assembly of deliberately formalized, episodic long takes,
primarily in medium shot, that retain observational distance and critical
objectivity.
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